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The link is broken for now but you can see similar logic (with nodes instead of pre-comping isolated channels) in the Overview of the Color Difference Keyer in Conduit.

Alex Lindsay's explanations of AE's Color Difference Keyer (a sample from the Composite Toolkit) will feed your head and help you understand some of what goes on behind the scenes in keying filters.

Fxguide's 'Art of' Keying (history and survey to 2005) & more.

A personal observation under a deadline - duplicating a layer with a-bit-too-aggressive key on hair can help give the hair some extra blending detail.

Amidst other advice Adam Wilt says use Chroma Smoothing in Final Cut, as quoted in an AEP post Jaggies on Chroma Key.

9 Tools for live chroma keying, from Topher Welsh.

Tutorials on 'super tight' garbage mattes in After Effects.

Toolfarm later added In Depth: Keying: Introduction & Frequently Asked Questions about Shooting Greenscreen and In Depth: Keying: Pre-Processing Greenscreen Footage for Keying.

Video training on Keylight and a greenscreen book from Toolfarm.

A small portion of his info was released in book teasers, Color Keying in After Effects CS3 and a video presentation of Keylight.

Mark Christiansen's chapter in AE Studio Techniques, which covers the Keylight filter in After Effects and much beyond.

After Effects CS4 Help has nice succinct overview and tips, updated in CS5 as Keying introduction and resources and Compositing and transparency overview and resources.

Chris Meyer posted An Illuminating Discussion: PVC writers weigh in on what they would recommend for a lighting kit.

Chris Meyer's quick overview of Keylight on Adobe Video Workshop that gets right to the point.

Alex Lindsay's Greenscreen Primers at PVC.

Jonas Hummelstrand's Greenscreen and Bluescreen Checklist.